Warning!
| Mallard may explode without warning |
| M EXPLOSIVE |
From Go-Quiz.com
Thank you to Third Daughter for alerting me to this online silliness!!!
Check out this online Blog Diary of the Loopy Mallard d'Quackers ~ Maljam the Malster
| Mallard may explode without warning |
| M EXPLOSIVE |
| M | Mystical |
| A | Accurate |
| L | Light |
| L | Lively |
| A | Awesome |
| R | Rich |
| D | Dainty |
| M | Misunderstood |
| A | Ambitious |
| L | Luxurious |
| J | Juicy |
| A | Adventurous |
| M | Magical |
|
On This Day...
Born: Avril Lavene (1984); Meat Loaf (1946)
Died: Rory Storme (and the Hurricanes) (1972); Gracie Fields (1979); Clara Bow (the "It" girl, 1965)
My Soundtrack: "Anthology 1" (Beatles); local radio
On This Day...
Births: Ray Charles (1932); Bruce Springsteen (1949); Mickey Rooney (1920); Jason Alexander (1959).
Events: Autumn Equinox - (ie. all the chickens become moose for a day).
My Soundtrack: "Strange Brew" - Cream; "33 1/3" - John Farnham.
" Please accept my most humble apologies for the generic emails of late - life's been a bit nutty about here recently (as if that's some kind of excuse). And yes, the language is changing viz. emails and blogging and chat etc etc, whether we like it or not. I've been communicating with people online for about five years now, and I'm just very comfortable with that form of interrelating. Well, that's just the way it is for me, right or wrong! I'm a Baby-Boomer/Baby-Buster mixing it up with Generation-Y! (I'm not writing to create art here, I'm just writing to put feelings down. If somebody reads and responds, that's nice. If not, that's nice too).It's interesting reading that again after a day or two of having sent it. That final paragraph sums it up in a nice way for me, I think. I always dreamed of having someone to grow old with. But now I'm not sure I have the inner self confidence to be able to trust someone that closely again! That scares me, too, feeling like that.
What happened to Ex and I? The easiest way to say it is that - I went mad, and she couldn't live with that, and decided to walk away rather than walk with me and help me through it. That's life - it's shitty, but that's the way things work out when you trust people to be there for you! She divorced me, I resigned from all ministry, I suffered through two nervous breakdowns, I was falsely accused and then wrongfully arrested in relation to child-related matters (since all cleared up), and to top it all off the local church decided gossip was a good means of disseminating versions of the truth. Needless to say, nowadays I loathe anything to do with Churchianity. If anyone tries to 'soothe me' with pat off-the-cuff Bible verses, the hairs on my neck rise. I don't go to a church anymore. Actually, a lot of people who were acting as my good friends when I was in full-time ministry both in and out of the church now totally ignore me. It's not like a paranoia thing either - over the period of three years I have been snubbed, had phone calls and messages not returned from people I expected a whole lot more from. But - people are just people, like it or lump it. So, I've been forced to walk away from a whole way of living (that I know realise was totally false and empty - the church-stuff, that is).
Ex and I didn't have a huge fight nor did things get really messy or bitter - nothing like that. At first we decided and agreed together (with a marriage counsellor) that we needed some time apart to sort through our issues. When I did approach her to keep working things through with her, she'd already made up her mind that she didn't want to, and that "our relationship is finished." Easy as that. I had no say in the matter. Ex's a good woman, but as stubborn as a mule when she gets it into her head - when she sets her mind one way, there's absolutely no way to alter that mindset. And, so it was. There was nothing I could do to make her change her mind or see things in any other light - her mind was already closed. Within 6 months of our separation, she was already seeing another bloke. And now she's marrying him.
The boys think he's a nice guy (he seems to be), and I think it's great that they're all happy together. Ex is very possessive of the boys - there's no legal hassles or custody issues - nothing like that at all between us. I can see the boys whenever I want - technically. Although in practise it's only when it suits her, which drives me absolutely nutty. The boys miss me terribly, but Exs' stubbornness does not allow me the right to see the boys at their place at any time! Something has to always be 'organised' at a certain time and place, just so the boys and I can just hang out together! The spontaneity that we have always loved as being a unique part of ourselves has now to be a planned event. It's not the best, but it's what is happening, and I'll take what I can get. Hopefully when she settles down from her wedding and stuff, things might settle down a bit as well. Her husband doesn't have an issue with me (as such) being the boys' father... except that Ex's protectiveness prohibits me from actually meeting him! Isn't that ridiculous? He's met and even had meals with my mum and my brother, but not with me! Crazy $#ite! Well, that's just life. (Not as we know it, Jim... not as we know it...).
I moved to the Central Coast in the middle of 2002, because I was getting frozen-out of too many friendships here. People walking on the other side of the street and whispering behind hands - that sort of thing. But when I'd ring and try to talk to these same people, they'd say there's nothing wrong, and let's catch up sometime. When I'd try to arrange a time and place to do that with them, they'd beg off with some excuse. Once - I understand. But over and over again? It got too chilly to live in the same town with self-righteous a$$holes like that - I was still trying to recover from my second breakdown. The lies and gossip that went around I can actually trace to one church elder, who flatly denies it, but I know it was him. ^%$#@. Anyway, the 'grand experiment' of living away from 'here' lasted 12 months. Basically - I missed the boys too much. It's always about the boys. If I was shitty father (which even Ex acknowledges I am not!), I'd just piss off and live in Greece! But it's about the boys - I love them too much. They are an indivisible part of my life, and being physically separated from them is one of the main reasons my mental and physical health is sliding downhill at an alarming rate.
I'm just talking here, OK? I'm not looking for answers, I'm just talking and seeking a listening ear. This has been a lot of the way I've been communicating with some very good friends over the last few years, is by writing - just talking, letting off some steam, thinking as I talk as I write - however it comes out. These people I've known well now understand and appreciate that, and can see thru the smoke enough to see what's just huff and what's really elemental with me. That's fine. blah blah blah.
I mean, what I miss most in all of this is not having anyone 'here' to just hang out with. Someone to just bounce ideas off with, to laugh with, to hang out with. That's one of the hardest parts. Just having someone physically around to listen, not give answers, but just 'be there' to listen. That's all I wanted. But after Ex divorced me (in December 2002), that really ripped out my confidence in trusting other people too closely again. So, in many regards, that's one of the reasons why I write 'generic emails', because it's a way of not getting too close to people! hahahaa! Does that make it a bit clearer? " (nb. Italics are mine!)
On This Day...
Births: Romulus, founder of Rome
Deaths: Jim Croce (1973)
Soundtrack: The White Album (Beatles); local AM radio.
On this 'Thor's' day:
Births - Brian Epstein (Beatles' manager); Cass Elliott (Mumas & the Papas); Bill Medly (Righteous Bros).
Died - Gram Parsons 1973 (Byrds, Flying Burrito Bros).
Soundtrack - "Blonde on Blonde" Bob Dylan (1966).
"Of all the love I have won or have lostI was considering going to the wedding ceremony, and just sitting in the shadows in the backrow. not to see Michelle - not at all. But to see the boys walk down the aisle all dressed up to the nines! BUT - seeing Michelle getting married again like that would affect me in a way I'm not sure how I'd cope with... it would be like when I saw my father laying in his coffin. It wasn't a horrible experience (he simply looked as though he was asleep). I'm glad I did it, but in the long run, I wish I hadn't, because that's the last time I saw my dad, and that's a memory I can never get out of my head of him. So, I don't wanna have the visual image of her wedding day to play tricks on my brain either in the long run! Even tho I'm supporting and am trying to encourage them both (not that they ever acknowledge that!) I've been promised to see the photos of the boys all dressed up - but to be brutally honest, I'm not holding my breath. I've asked for and even taken photos myself of the boys over the past three years, but I have never ever seen copies of them ever. I've got copies of pics I got when we were first separated, but Michelle has never gone out of her way to make any photos of the boys available to me. There are no photos of me in their place (that I know of). She's done a great job of trying to erase my presence from out of the boys' life. I know she's convinced herself already that I no longer exist, because there's always a surprise in her voice when I ring to speak to the boys and she realises I am still here! Michelle's attitude towards me over the past three years has been one of masterful 'passive aggression', altho I doubt she'd ever accept that.
There is one love I should never have crossed;
She was a girl in a million, my friend,
I should have known she would win in the end.
I'm a loser,
And I've lost someone who's near to me..."
(John Lennon, 1964)
"Of course your going to feel all of this, this week of all weeks. Its very natural and very normal. I would be worried if you DIDN'T feel all of the above.... this way we know there is still blood running through your veins man!"
"Great performance... caught at the festival at which... (he) made (his) national breakthrough... Hendrix gives what may have been his greatest show ever: the versions of 'Wild Thing' and 'Like a Rolling Stone' are everything they should, and could, have been. A lot more than just a memory here."
(New Rolling Stone Record Guide, p.599)
| Title | Artist | First Released |
| All Mod Cons* | The Jam | 1978 |
| Setting Sons* | The Jam | 1980 |
| Sound Affects* | The Jam | 1981 |
| Layla | Derek and the Dominoes (with Eric Clapton) | 1970 |
| Surrealistic Pillow | Jefferson Airplane | 1967 |
| Tapestry* | Carol King | 1971 |
| All Things Must Pass* | George Harrison | 1970 |
| Never Mind the Bollocks | Sex Pistols | 1977 |
| Ringo | Ringo Star | 1973 |
| Innervisions* | Stevie Wonder | 1973 |
| We're Only In It For the Money | Frank Zappa and the Mothers of Invention | 1968 |
| Aftermath | Rolling Stones | 1966 |
| Between the Buttons | Rolling Stones | 1965 |
| Who's Next* | The Who | 1971 |
| Quadrophenia* | The Who | 1973 |
| Music >From Big Pink | The Band | 1968 |
| English Settlement | XTC | 1981 |
| Drums and Wires* | XTC | 1979 |
| Electric Music for the Mind and Body | Country Joe and the Fish | 1967 |
| Willy and the Poor Boys (etc) | Creedence Clearwater Revival | 1969 |
| Deja Vu* | Crosby, Stills, Nash and Young | 1970 |
| Fairport Convention | Fairport Convention | 1969 |
| ...and the list could be endless...! hahahaa! |


* BARKING UP THE WRONG TREE: In Lancashire England, Ian Lewis, 43, spent 30 years tracing his family tree back to the 17th century, traveling all over England and interviewing 2,000 relatives, before he learned that he had been adopted when he was a month old and that his real name was David Thornton. He said he would immediately start researching his new family history.
| CD/DVD
| Title
| Artist
| Cost
| Rating
| 1st Released
|
| Double CD
| Anthology 1
| The Beatles
| $29.00 / $21 US
| +++++
| 1995
|
| CD
| A Hard Day's Night
| The Beatles
| $25.00 / $18.10 US
| +++++
| 1964
|
| CD
| Lennon
| John Lennon
| $13.95 / $10.15 US
| ++++
| 1990
|
| Double CD
| Live Album
| Crowded House
| $19.95 / $14.50 US
| +++++
| 1996
|
| CD
| Live at the Monterey Pop Festival 1967
| Jimi Hendrix
| $16.95 / $12.30 US
| +++++
| 1992
|
| CD
| Pearl
| Janis Joplin
| $12.95 / $9.40 US
| +++++
| 1971
|
| DVD
| The Beatles Down Under
| The Beatles
| $4.84 / $3.50 US
| ++
| 1964
|
| CD
| Harvest
| Neil Young
| $14.95 / $10.80 US
| ++++
| 1972
|
| Double DVD
| The Sound of Music
| Movie
| $12.87 (reduced from $34.42!) / $9.30 US
| +++++
| 1965
|
They started writing songs together for a project that never happened, and many of those songs wound up on Crowded House's releases Woodface and Together Alone. The next mutual side project was a hasty collaboration recorded in the space of four weeks and released in 1995 (in 1996 for the U.S.) as Finn. Though that release had some commercial aspects, it featured songs that largely explored exotic and tribal instrumental sounds (played mostly by the brothers) in moody ways.
Now, after a volley of multiple solo releases, the brothers have reunited for a project that is more deliberate and fully realized, reflecting more of a band sound. That's good news for fans of both Crowded House and Split Enz, because Everyone Is Here manages to further the brothers' musical legacy with twelve more good songs. Back are the delicate harmonies that seem to come naturally for this brother team, and a sense that the competition between them has inspired better music all around.
The CD leads with "Won't Give In", the most commercial track and obvious choice for single. This contemplative song about promises made, family ties, and returning to the fold could fit well into the Crowded House canon. Neil mans the guitars, Tim the piano and additional percussion, while Matt Chamberlain drums and Sebastian Steinberg plays bass.
"Nothing Wrong With You" is another sweet gem, a mid-tempo number that lauds one who is better than the treatment the world affords him/her and surrounds it with an infectious melody: "We've learned to take abuse / From devils we don't know / People who have lost all heart / Look for someone else to blame / You just keep on walking when they call you a dirty name". A trio of producers lend a hand with this track: Mitchell Froom (who produced this record along with a number of Crowded House albums) adds additional piano, Jon Brion adds some drum and percussion fills (Chamberlain and Pete Thomas handle drums), and Tony Visconti aids the brothers with the string arrangement.
The Matt Chamberlain beat and handclaps drive the energetic "Anything Can Happen". Here Jon Brion adds some additional guitar, and Davey Farragher helms the bass in a song that reflects an attitude of forging on, coming 'round, gathering up, and giving in.
While I first thought the love song "Luckiest Man Alive" was a bit saccharine on the lyrical end, it's a real grower musically. This out-and-out tribute to the woman he loves features a chorus of headline-type proclamations: "Man finds love in his life / He's the luckiest man alive / Someone true by his side / He's the luckiest man alive / She cut right through his foolish pride / He's the luckiest man alive".
Another contender for a single release would be "Homesick". Here you get a real sense of collaboration, yin and yang in the form of Tim and Neil harmonizing together as only they can. The yearning is captured in a thickly produced musical environment full of Tony Visconti-arranged strings, piano and organ from Froom and Brion, and pedal steel and lap steel from B.J. Cole and Neil Watson respectively.
Visconti lends some lovely mandolin touches (along with double bass and cello) to the delicious brotherly reminisce of "Disembodied Voices". Here Neil and Tim think back to talking after the lights are out from their bedrooms down the hall some 40 years ago in Te Awamutu, New Zealand.
"A Life Between Us" is a wonderful musical exploration of brotherhood, a study in friendship, watching over each other, yet retaining plenty of mystery through the years as their relationship evolves. There are some wonderful passages here, such as "We're staring at each other / Like the banks of a river / And we can't get any closer / But we form a life between us".
But it's not all deliberation and seriousness here. Witness the philosophical fun of the more upbeat "All God's Children", wherein heavy contemplation gets the tongue-in-cheekiness treatment as ultimately, love conquers all: "We're all God's children / And God is a woman but we still don't know who the father is".
"Edible Flowers" is a more somber piano and strings-driven ballad about mortality and the wish to survive "to see another birthday". This one's a bit heavy-handed lyrically for my tastes: yes, sure, we're all getting older and we shouldn't let the moment pass. Still, the Finn Brothers can create a beautiful song out of just about anything.
"All the Colours" is a short, tuneful reminisce about a particular goodbye and how it takes a while to gather up and carry on beyond it. "Part of Me Part of You" is another strong, equal vocal harmony song (think along the lines of "Chocolate Cake"), a paean to their roots in New Zealand as well as to their ongoing dream of a musical career.
The CD closes with the syncopated rhythms of "Gentle Hum", sounding like something off one of Neil's solo CDs. Neil plays the piano here (and takes the main vocals), accompanied by Jon Brion's percussion loops and the soft accordion of James Crabb. The song is about the vibrations that will make us all one, and the sentiments are reflective, optimistic, and well intentioned. It provides a sweet coda for what really is a superb collection of songs.
Like many a Crowded House release, this new Finn Brothers album gains resonance with repeated listens, revealing subtle charms and musical accents over time. Everyone Is Here is a fairly sedate affair, reflecting the maturity of songwriters who realize there's more to the craft than merely rocking out.
Froom's production is simple and effective (and aided by the contributions of Brion and Visconti), capturing the sense of a live band, even in the studio. Adam Kasper did a fine job of recording and Bob Clearmountain added his magic in the mixing room (joining Froom for the first time since Woodface).
While I still love certain songs from individual Neil and Tim solo efforts, this is a much more even collection overall than any of those, perhaps a direct result of the brothers pushing each other that extra bit to create better music. All told, these dozen songs are a cause for celebration for fans of Crowded House, Split Enz, and music in general - Everyone Is Here delivers the kind of Finn Brothers album that people have long been awaiting.
Gary Glauber
| "If we see light at the end of the tunnel, it's the light of the oncoming train." (Robert Lowell) |
Dressed in a blue singlet and a flannie and stovepipe stretch acid wash jeans and a beanie and get you a funky mullet and go on Jerry Springer...
blackjeanus mulleticus maximus
In Tasmania, Australia there are 2 breeds of bogans, theres the typical male "aussie" style bogan: who wears "wife basher" shirts (singlet tops) with many torn holes, tight stone wash jeans or some other pants, usually either wearing one or tied around the waist or slung over there shoulder a flanelette (flannie) shirt or holden/ford tops, and a pair of old blundstone boots (blunnies) and usually drives and old Holden Commodore or Ford Falcon. And swear the faces off, usually every second word is f**k. And are commonly seen with a can of VB in there hand."Oi Shiela"
"Wadda ya want Baz?"
"Get us a packet of smokes and a nuva VB from the fridge luv."